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Film
The word “cinema” is borrowed from the French cinéma, an abbreviation of cinématographe (term coined by the Lumière brothers in the 1890s), from Ancient Greek meaning “recording movement”. The word is today usually used to refer to either a purpose-built venue for screening films, known as a movie theater in the US; the film industry; the overall art form of specifically just filmmaking.
Film criticism is the analysis and evaluation of films. In general, these works can be divided into two categories: academic criticism by film scholars and journalistic film criticism that appears regularly in newspapers and other media. Film critics working for newspapers, magazines, and broadcast media mainly review new releases. Normally they only see any given film once and have only a day or two to formulate their opinions. Despite this, critics have an important impact on the audience response and attendance at films, especially those of certain genres. Mass marketed action, horror, and comedy films tend not to be greatly affected by a critic’s overall judgment of a film. The plot summary and description of a film and the assessment of the director’s and screenwriters’ work that makes up the majority of most film reviews can still have an important impact on whether people decide to see a film. For prestige films such as most dramas and art films, the influence of reviews is important. Poor reviews from leading critics at major papers and magazines will often reduce audience interest and attendance.
Derivative academic fields of study may both interact with and develop independently of filmmaking, as in film theory and analysis. Fields of academic study have been created that are derivative or dependent on the existence of film, such as film criticism, film history, divisions of film propaganda in authoritarian governments, or psychological on subliminal effects (e.g., of a flashing soda can during a screening). These fields may further create derivative fields, such as a movie review section in a newspaper or a television guide. Sub-industries can spin off from film, such as popcorn makers, and film-related toys (e.g., Star Wars figures). Sub-industries of pre-existing industries may deal specifically with film, such as product placement and other advertising within films.
The word “cinema” is borrowed from the French cinéma, an abbreviation of cinématographe (term coined by the Lumière brothers in the 1890s), from Ancient Greek meaning “recording movement”. The word is today usually used to refer to either a purpose-built venue for screening films, known as a movie theater in the US; the film industry; the overall art form of specifically just filmmaking.
Film criticism is the analysis and evaluation of films. In general, these works can be divided into two categories: academic criticism by film scholars and journalistic film criticism that appears regularly in newspapers and other media. Film critics working for newspapers, magazines, and broadcast media mainly review new releases. Normally they only see any given film once and have only a day or two to formulate their opinions. Despite this, critics have an important impact on the audience response and attendance at films, especially those of certain genres. Mass marketed action, horror, and comedy films tend not to be greatly affected by a critic’s overall judgment of a film. The plot summary and description of a film and the assessment of the director’s and screenwriters’ work that makes up the majority of most film reviews can still have an important impact on whether people decide to see a film. For prestige films such as most dramas and art films, the influence of reviews is important. Poor reviews from leading critics at major papers and magazines will often reduce audience interest and attendance.
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Kasino was also known for his skill in composing and parodying song lyrics to add humor. This habit stemmed from his hobby of singing and parodying songs during his student days. He possessed a vocal technique that allowed him to easily sing various songs in languages such as Mandarin, Hindi, Arabic, and English. However, in his role as Acong or Acing, Kasino often parodied English songs by changing their lyrics into Mandarin. Singer Titiek Puspa once laughed upon learning that her song Saputangan had its lyrics altered by Kasino with additional English lyrics. According to Rudy Badil, Kasino frequently used song parodies to subtly critique the New Order government. This opinion was supported by musicians like Chrisye and Fariz RM, who viewed Kasino as an appropriate figure to criticize the Indonesian music industry, which they felt was in a poor condition during the 1980s.
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In 1979, the Warkop Prambors group released a compilation album of their comedy sketches and songs, which were actually recordings from live performances in Palembang and Pontianak. A year later, Warkop made their debut on the big screen with their first film titled Mana Tahaaan… The film achieved significant success during its theatrical run. From 1980 to 1995, the comedy group Warkop Prambors, later renamed Warkop DKI, starred in 34 comedy films and one docudrama. They also released 12 compilation albums of comedy sketches and songs, two of which were collaborations with the Pancaran Sinar Petromak and Srimulat groups. In the early years of his acting career, Kasino was often nicknamed “Seki” by his friends in the film production team due to his distinctive flat nose.
